The VCF 116 is based on the larger VCF 110 but without the 3-channel signal mixer. The Compact LP VCF 116 is a 24dB/octave 4-pole low pass filter into a 1U wide module.Features 1 Volt / Octave cut-off frequency CVCut-off modulation input with potentiometer attenuator (FM3)Resonance potentiomete..
The ADSR 120 is one of the core modules essential to an analogue synth. Most frequently used to control a VCA but equally used to control the cut-off of a VCF. Larger systems can expect to have the need for many ADSR modules. In addition to the ADSR 120, a voltage controlled version, the VC ADSR 121..
The ADSR 120 is one of the core modules essential to an analogue synth. Most frequently used to control a VCA but equally used to control the cut-off of a VCF. Larger systems can expect to have the need for many ADSR modules.This module, the VC ADSR 121 goes a step further by allowing for dynam..
The VCA 126 is another of the core modules essential to an analogue synth. The signal amplitude (volume) can be altered by means of an external control voltage typically from an ADSR or VC LFO. This module has two independent VCA channels.Features Controls for initial VCA amplitude for eac..
Your synth cannot be complete until you have lots of noise otherwise how else are you going to create the sound of the sea crashing on the shore line or that rumble of thunder. The Noise + S&H module not only has noise sources but also a sample and hold function. The term sample and hold describ..
The 3-Channel Mixer 136 we believe to be an essential module even for the smallest system such as our System 10. If no other reason than having the headphone socket and a mono line output socket for your amplifier. Don't restrict its use to just being an output module on larger systems as you can fe..
The 3-Channel Mixer 136 is a must have and larger systems could easily have many of these. Now, when you want to compose in stereo, then the 4-channel Panning Mixer 137 is the natural choice. With voltage controlled panning and its back-lit VU meters, it not only performs superbly but looks rea..
A classic sound in synths is the phaser effect for which we have the Phaser 149.Features Internal LFO with switch selection of a triangle or ramp modulation waveform with modulation depth controlSwitch selection of number of phaser stages 4 or 8Variable control for feedback (emphasis)Specificat..
Another classic sound in synths is the ring modulation effect for which we have the Ring Modulator 151.Features Two modes of operation AxB where the output signal consists of the sum and the difference of the input frequencies. A second mode is 2A where the output signal is twice input A signal..
A PT chip based echo module with the addition of being able to control the five main parameters using external control voltages. Features Integral VCAs allow for internal & external control of input signal level, dry signal level mix to output & wet echo levelInternal & externa..
A bit of a favourite of ours is the wave folder and the wonderful harmonics it creates. Rather than just limit the module to wave folding, additional switch controls allow aspects of the folded waveform to be switch in or out. Features Switch controls to select whether folds and sidebands ..
Truly analogue sequencers tend to be rather large modules with typically 8 to 16 steps with each step often having one or more potentiometers and associated switches. Sequencers output a voltage for each step based on a potentiometer setting and can be quite difficult to tune to a musical scale. Thi..